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Othello's insecurities are so close to the surface that a few words of hint and innuendo from Iago can tear the confident exterior and expose his fears, desires, and tendency to violence. Here Iago invents or discovers a motive or two more for his villainy. The difficulty about this popular view is, in the first place, that it attributes to Iago what cannot be found in the Iago of the play. However, once he makes a decision, he is again the military man, decisive in action. Othello Character Analysis 1124 Words | 5 Pages. Whilst Iago does try to communicate multiple reasons for his motives in wanting to destroy Cassio and Othello these are mere rationalisations and excuses to provide justification for his evil actions and can only be accepted when analysing Othello on a surface level. Iago sees Othello’s ‘free and open nature’ as a weakness and plans to exploit this. Iago suggests that Othello ‘is of a constant, loving, noble nature’ and he will prove ‘a most dear husband’. Othello cannot stand uncertainty; it drives him to destroy his sanity. The suspicion of Cassio's intrigue with Emilia emerges suddenly, as an after-thought, not in the first soliloquy but the second, and then disappears for ever. For each of Iago's actions within the play, he creates a momentary and unimportant justification possibly to … Iago’s ‘love’ of Desdemona is alluded to in the second soliloquy ; there is not the faintest trace of it in word or deed either before or after. Iago scorns the love between Othello and Desdemona, saying it was born of a ‘violent commencement’ and he assures Rodrigo that such hasty passions will soon cool. There is a sense of certainty that without Iago’s interventions the relationship between Desdemona and Othello will … In a brief soliloquy, Iago recognizes the effect he is having as “the Moor already changes with my poison.” Iago continues the metaphor he created in Act II, Scene 3 in which he compared his lies to a pestilence he would pour into Othello’s ear. A “soliloquy” is a speech given by a speaker alone on stage, exploring his or her own thoughts and feelings. He sneers that such men are easily led. Iago’s ‘love’ of Desdemona is alluded to in the second soliloquy; there is not the faintest trace of it in word or deed either before or after. In the soliloquy which concludes the scene, we see something in sharp contrast with Iago’s assumed character. At this point in his scheme, Iago has sufficiently aroused Othello’s jealousy In the second scene, after several long speeches by Claudius giving us political background, we come to Hamlet’s first soliloquy. 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